Arch of Triumph

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Arch of Triumph

Drama, Romance, War | 93 mins | Released: 1984
Director: Waris Hussein
Starring: Anthony Hopkins, Leslie-Anne Down, Donald Pleasence, Frank Finlay, Richard Pasco, Joyce Blair, Alexander Davion
Our Rating: 6
Color

Ravic (Anthony Hopkins), is an Austrian doctor who helped Jews escape from the Nazi regime. He was tortured in a concentration camp. In 1939 he is living in Paris, under a false name and without any documents, constantly aware of the risk of being arrested. At night, on one of Paris bridges over the Seine, Ravic meets Joan Madou (Lesley-Anne Down), a woman about to (possibly) attempt suicide, and helps her. This is the start of a romance. But the prickly Ravic has unfinished business with the Nazis, and he is separated from Joan after being discovered as refugee without papers. With no communications possible between them, they each try to manage under difficult circumstances and, when they finally met up again after six months of unexplained absence, there are shadows hanging over their relationship. They cautiously try to mend their broken affair as international events spin out of control around them.

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Movie Notes:

Arch of Triumph is a 1985 British television film by Harlech Television. It is based on the novel Arch of Triumph by Erich Maria Remarque, author of All Quiet on the Western Front.

The novel was previously adapted in 1948 for a film of the same name with Ingrid Bergman and Charles Boyer.

It was directed by Waris Hussein and produced by Mort Abrahamson, Peter Graham Scott and John Newland. The adaptation was by Charles E. Israel, the music score by Georges Delerue and the cinematography by Bob Edwards.

The film stars Anthony Hopkins, Lesley-Anne Down and Donald Pleasence with Frank Finlay, Joyce Blair and Richard Pasco.

In the film, Joan Madou (Lesley-Anne Down) sings “J’attendrai”.

Review:
Good thriller ruined by dull love story
28 August 2001 | by Gary Dickerson, (Lexington, KY)
“It’s always a lot of fun to watch Anthony Hopkins struggle through mediocre films made before his Merchant-Ivory days & the breakthrough of “The Silence Of The Lambs,” & he is by far the best thing about this made-for-television remake of the 1948 Ingrid Bergman-Charles Boyer film. The Remarque novel, written long after his success with “All Quiet On The Western Front,” seems to want to contrast the Hopkins character, Dr. Ravic, in his Paris surroundings with his love affair with Joan Madou (played here by a hopelessly miscast Lesley-Anne Down in the Bergman role). But I honestly don’t think the story needed the love affair; in such a time of tension & grief, love is always a cliche, & this story isn’t good or strong enough to rise above the inherent corniness of the theme.

Hopkins, as Ravic, is a German citizen who helped Jewish people escape from the murderous anti-Semitic Fatherland. He spent time in a concentration camp & has a horrible scar as a reminder. He lives without papers in Paris, under a false name, aware always that the minute the gendarmes near him he could be sent away or imprisoned as an illegal alien. He dreams of the day he can revenge himself on the Gestapo officer who sent him away, who tortured his friends & who tortured & raped his only love, Sybil. (In this version, Donald Pleasance plays Haake, the Nazi murderer, & does a creepy job, especially when Ravic meets him later & he doesn’t recognize his own handiwork.) One night, on a bridge, Ravic encounters Joan Madou, & he rescues her from a possible suicide attempt. Madou understandably latches on to Ravic, & at some point a romance begins.

At this point in the plot summary, you are not required to suppress a yawn; it sounds like something you’ve heard a million times before & you’ll see a million times more. My thoughts while watching this movie were simply this: the strength of the story – German exile trapped in doomed Paris on the eve of German invasion looking for revenge while trying to stay alive – didn’t need the love story to propel it. Surely there were other opportunities for Hopkins to show his human side than to act jealous when Down confesses to have other lovers! His relationship with the Russian exile, played with vodka-gulping panache by Frank Finlay, had a reality to it that the walks on the beach in Normandy with Down could barely compare with.
Hopkins, of course, had his greatest work before him, & he made the wonderful “84 Charing Cross Road” a year after this. But he is quite good here with his slight German accent & his subtle performance. He is perhaps the only reason to see this, & since I haven’t seen the 1948 version (which I hear is pretty dreadful), I can’t tell you how he compares to Boyer. But if you’re in the mood for a thriller set in dangerous times, this is fairly standard viewing with the highlight of a good Hopkins performance.”